Every week, the Virtual Photography Archive Hour invites you to revisit your virtual photography archives as a great way to reach new audiences, rediscover past inspirations and even learn from mistakes. Featured below are a selection of the entries shared over the past month.
Virtual photography may be considered the latest way in which video games are breaking the fourth wall...
There are many ways to isolate a subject from their surroundings and this shot makes great use of a smoke bomb to do exactly that. The fact that the character is facing away from the camera only adds further intrigue to the shot.
The use of colour and light here is outstanding! The rich oranges of the wooden desk and leather chair are brought out by the down lighting while the greens contrast and dominate everything beneath.
It maybe just a touch underexposed, but this shot tells the story of the motorcycle's rider without even showing them. As the lines of the road draw off into the distance, we are left to wonder where the rider went after resting the bike on its kickstand.
What do you find yourself looking at most in this shot; is it the beautifully edge lit face of the gruff-looking subject, or the delicate cloud of dust particles drifting against a soft green backdrop?
Death Stranding stands apart as the most engaging traversal I have ever known in a game, and this shot perfectly captures the enduring march of Sam as he carries his cargo over rough ground and on to a destination that remains far out of sight.
I enjoyed pretty much everything about this shot. Captured in low-light with fitting use of film grain, the angle of the shot helps to give us an obvious sense of movement while the imbalanced composition is offset with a stylised logo stamp.
Ever felt like you were walking with the weight of a world on you shoulders? Well this shot could easily be a visual metaphor for exactly that as the tiny character strolls across a ridge beneath a sky utterly dominated by the looming planet.
This simple but effective shot makes perfect use of the filled-frame technique. The leaves are the only thing we see and that really draws attention to the way light bounces over their intricate shape and shiny surfaces.
There are so many elements of this shot that make it work for me. The camera's focus on the subjects leading foot and the shallow depth of field may be the obvious parts, but I think it's the oblique light and perpendicular shadow that make this a really great composition.
Revisit your archives and share some lost shots on Twitter every Sunday. Look out for the #VPArchiveHour theme post and simply reply with something from your existing archives for a chance to feature in next month's post.
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